{"id":441,"date":"2018-11-16T15:59:21","date_gmt":"2018-11-16T13:59:21","guid":{"rendered":"http:\/\/www.err-rec.com\/new\/?post_type=product&p=441"},"modified":"2022-01-29T19:31:27","modified_gmt":"2022-01-29T17:31:27","slug":"pre-order-library-vol-2-science-technologie-12-vinyl","status":"publish","type":"product","link":"https:\/\/www.err-rec.com\/new\/product\/pre-order-library-vol-2-science-technologie-12-vinyl\/","title":{"rendered":"LIBRARY VOL.2 SCIENCE & TECHNOLOGY 12″ VINYL"},"content":{"rendered":"

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Music by various Artists
\nArtwork and Design by Bee Mat\u00e9<\/a><\/p>\n

Shipping Februry 2018.
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– Limited Edition of 200 x 140 black 12″ Vinyls .
\n– Reverse printed sleeves.
\n– 200 units<\/p>\n

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200 limited edition numbered vinyls.<\/h4>\n

Digital album\u00a0 included. 140g Vinyl \/ Reverse Printed Sleeve.
\nRelease Date: February 28, 2019.<\/h4>\n
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Includes unlimited streaming of ERR REC Library Vol.2 Science & Technology<\/em> via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.<\/p>\n<\/div>\n

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about<\/h3>\n
Pour ce “Library Vol. 2 \/ Science & Technology, nous avons r\u00e9uni autour de ce th\u00e8me des compositeurs(trices) de France et de Navarre, jans\u00e9nistes soustractifs(ves) obs\u00e9d\u00e9(e)s par une certaine id\u00e9e de la musique \u00e9lectronique et \u00e9lectroacoustique, de la musique de film et d’illustration\u2026 de celle qui se fait en tournant des potentiom\u00e8tres, en manipulant des formes d’ondes, en s’inventant multi- instrumentiste de chambre et bien souvent sorcier de home-studio.
\nUn chant des machines passionn\u00e9, r\u00e9f\u00e9renc\u00e9 et inspir\u00e9 qui ne fait souvent intervenir l’ordinateur qu’en fin de cha\u00eene, presque \u00e0 regret.
\nTous les participant(e)s ont jou\u00e9 le jeu jusqu’au bout en signant ces compositions in\u00e9dites sous pseudonyme dans la grande tradition de l’illustration sonore. Myst\u00e8re et tube \u00e0 essai.Composers:
\nAmosph\u00e8re est A . . V . . . . . . .
\nAntonin Fortin est A . . . . . M . . . . . .
\nJean de Rombi\u00e8res est J . . . . . R . . . . . .
\nBernold Delgoda est M . . . . . . D . . . . . . .
\nEtienne Vallino est S . . . . . . . L . . . . . .
\nGianni Moretto est G . . . . . M . . .
\nKlaus-Ulrich Hermann est J . . . . . L . . . . . . . . .
\nTiger Tigre est V . . . . . . T . . . . .
\nHenri Pierre est R . . . . S . . . . . . .
\nPierric Gildas est E . . . . S . . . . .
\nLa Plong\u00e9e est M . . . C . . . . . . .<\/span><\/div>\n
“ERR REC Library Vol. 2\/ Science & Technology” features11 french composers. These soustractive synthesis quakers, obsessed by a certain idea of electronic, electro acoustic, film and library music that one produces by tweaking potentiometers and filtering waveforms. Those few who are able to turn into “chamber multi-instrumentalists” and studio wizards, in order to experiment and create some never-heard-before soundtracks. Imagine such a inspired and meticulously referenced vintage machine gospel that would undoubtably, and unfortunately, end up on the hard drive of a macbook. All of the participants followed the French library music tradition, signing their jewels under a pseudonyme.<\/div>\n

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